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netmouse: (Life)
Important to read: Oregon Was Founded As a Racist Utopia.
(I would like to note that it mentions consulting educator Walidah Imarisha. I know her better as the co-editor of Octavia's Brood: Science Fiction Stories From Social Justice Movements, due out this spring.)

"America's history of racial discrimination is most commonly taught as a southern issue. That's certainly how I learned about it while going to Minnesota public schools in the 1980s and 90s. White people outside of the South seem to learn about the Civil War and civil rights movements from an incredibly safe (and often judgmental) distance.

Racism was generally framed as something that happened in the past and almost always "down there." We learned about the struggles for racial equality in cities like Birmingham and Selma and Montgomery. But what about the racism of Portland, Oregon, a city that is still overwhelmingly white? The struggles there were just as intense — though they are rarely identified in the history books."
netmouse: (Life)
The other day I watched this video of David Oyelowo on Being a Black Actor in Hollywood (Dec. 29, 2014), on Charlie Rose. It reminded me a lot of what I have observed in the community of black and other non-white science fiction and fantasy writers: they have to lift up themselves and each other and work harder to make and take advantage of opportunities because the white-dominated (96% white) publishers will not do it for them the way they will for white authors.



DO: One of the difficult things about being a black actor, or a black person in the public gaze right now is that everything you do has to endure a scrutiny that my white peers don't have to endure. I have to... You know, when I open doors, that door, the minute it's open, it starts shutting. Unless there are more people coming through to blow the hinges off.

DO: You know, Ava DuVernay is being celebrated as being the first African-American woman to be nominated for a Golden Globe. That's wonderful. But, the truth of the matter is, if others don't come up behind her quite soon, she will be 'the one'. And I would say that Sidney Poitier for a long time was 'the one'. Denzel Washington is 'the one', and it becomes a placatory way for people to kind of relax, and go, "You know what? stop complaining, you've got 'the one'." And that's not reflection of society --

CR: And if you have one, then that means that there's no road blocks for all of them.

DO: Right, exactly. It's the same thing about having a black president. You know, this phrase, 'post-racial America' started to come in, which we're seeing is absolutely not true. So, even though I'm having a great time at the moment, I've pretty much worked out mathematically that I have to work twice as hard to get half as far as my white counterparts, which means that I have to work four times as hard to be on an equal footing. Now, I don't dislike that, because I do think that in order to do what I do, the harder you work, the better the results. But.

DO: The fact of the matter is, that even when you look at Ava right now, who is clearly and beautifully being celebrated for what she's been able to do with [Selma], she will not get the same raft of opportunities she would have done if she was a white male. And that's to do with the people who are the decision makers. The people who are the decision makers largely give opportunities to people who look like them. Because at the end of the day, especially in movies, we want to see ourselves. So what you see on the big screen tends to be reflective of the decision makers.

DO: I don't want to be one to complain about it; what this has shown me is that no one's going to tell my stories better than me. And that's been beautifully demonstrated by Ava, being excellent at what she does, in a two hundred thousand dollar movie that she did out of her own blood, sweat, and tears, and that enables me to take her name to path A and plan B, and it's indisputable that she should be given an opportunity, and then someone with Oprah's power comes along and further gives that a platform.

DO: We have to do it for ourselves, we can't rely on the studios. And if they come along, fantastic. If they don't: find the audience, be excellent, and you will be fine.
netmouse: (Life)
Frank Rich and Chris Rock in conversation. It goes all over the place. Very interesting. I'm a long-time fan of Chris Rock.

Some quotes:
"The stuff you’re talking about is pockets though. There’s always going to be people that don’t know that the war’s over. I'm more optimistic than you, but maybe it’s because I live the way I do. I just have a great life, so it’s easier for me to say things are great. But not even me. My brothers drive trucks and stock shelves. They live in a much better world than my father did. My mother tells stories of growing up in Andrews, South Carolina, and the black people had to go to the vet to get their teeth pulled out. And you still had to go to the back door, because if the white people knew the vet had used his instruments on black people, they wouldn't take their pets to the vet. This is not some person I read about. This is my mother."

"Here's the thing. When we talk about race relations in America or racial progress, it's all nonsense. There are no race relations. White people were crazy. Now they're not as crazy. To say that black people have made progress would be to say they deserve what happened to them before."

"So, to say Obama is progress is saying that he's the first black person that is qualified to be president. That's not black progress. That's white progress. There's been black people qualified to be president for hundreds of years. If you saw Tina Turner and Ike having a lovely breakfast over there, would you say their relationship's improved? Some people would. But a smart person would go, “Oh, he stopped punching her in the face.” It’s not up to her. Ike and Tina Turner’s relationship has nothing to do with Tina Turner. Nothing. It just doesn't. The question is, you know, my kids are smart, educated, beautiful, polite children. There have been smart, educated, beautiful, polite black children for hundreds of years. The advantage that my children have is that my children are encountering the nicest white people that America has ever produced. Let's hope America keeps producing nicer white people."


Amen.

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