netmouse: (Default)
netmouse ([personal profile] netmouse) wrote2008-03-05 05:42 pm

Thurs 3/6 7 pm EMU: The Dangers of Wikipedia talk


YPSILANTI — Andrew Keen, the leading contemporary critic of the
Internet, will present, "The Dangers of Wikipedia," Thursday, March 6,
7 p.m., Eastern Michigan University's Student Center Ballroom A, 900
Oakwood Street in Ypsilanti. The event is free and open to the public.

Keen, author of "The Cult of the Amateur: Today's Internet is Killing
Our Culture," will speak about the "anarchism of an open-source
knowledge system" in which there is an absence of central intellectual
authorities. He believes this creates a surreal relativism in which we
have no way of determining hierarchies of knowledge.

The host of the popular Internet chat show afterTV.com, Keen regularly
appears on television and radio. His writing can be found on his
cultoftheamateur weblog, on ZDNet and CBS.com as well as in
traditional publications like the "Weekly Standard," "Fast Company"
and "The San Francisco Chronicle."

The lecture is the third in the four-part Wikipedia Lecture Series,
sponsored by the EMU College of Arts and Sciences. For more
information on this event, or the last Wikipedia lecture, please call
EMU Campus Life, 734.487.4344.


I can't go. Please let me know if you do.

[identity profile] atdt1991.livejournal.com 2008-03-05 11:48 pm (UTC)(link)
I've heard this idea expressed for years, now. I think it's a simplistic viewpoint of the available data, and doesn't consider that Wikipedia is not scientific analysis or process. The reputation game happens in the sources cited, and beyond that, the only reputation that matters is whether a person posts accurately cited works. I've not played with the profiles of wikipedia, so I don't know whether they visibly keep track of a user's reputation as far as rejected edits go.

Additionally, I think there's a massive difference between a resource like wikipedia and a cultural juggernaut like youtube. Is our culture, as a nation or generation, determined by those who have the money and connections to work with classic distribution, or is it determined by the best and most compelling creative works?

Frankly, I think any suggestion that we've dropped into inanity is (as I've also heard) is ridiculous - Ren & Stimpy, Life is Hell, and other works that went through the usual system started us down the road of context-less humour.

Now, it definitely can be more difficult to work your way through all the creative work available out there to find the gems, but most internet distribution methods have a half-dozen ways you can sort based on popularity, "editor's choice", etc.

Moreso, I look at our blockbuster movies and compare them to our Oscar winners, and I think to myself, "what culture?"